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There are some hidden gems in the rest of the contents, too - a particular favourite of mine is the BDD delay from the guitar stomps, which is a wonderfully lo-fi delay, just as it should be! It aso gives owners of HD systems access to a greater stock of AAX DSP plug-ins, a welcome thing at a time when more and more third-party plug-in developers are abandoning AAX DSP. This bundle adds value to active Ultimate subscriptions, which has to be a good thing, and helps to fulfil Avid's commitment to offer subscribers additional features or extra value regularly throughout the year. Presumably because of licensing restrictions the Aphex Big Bottom and Aural Exciter plug-ins aren't included, and neither is the Heat console emulation - which is a pity, because it is extremely good.
This collection covers very nearly all of the Avid catalogue.
#Transfer plugins to avid offline editor pro
There are five of these: Pro Compressor, Pro Limiter, Pro Expander, Pro Subharmonic and Pro Multiband Compressor.
#Transfer plugins to avid offline editor series
For me, though, the star products in this bundle are the wonderful Pro Series of Avid plug-ins, which are comparable in standard to any premium third-party offering.
#Transfer plugins to avid offline editor full version
There's a decent pair of reverbs in the form of Reverb One and Revibe II, along with the full version of the XForm time-stretch plug-in, the ancient SoundReplacer drum replacement plug-in and finally the full version of the amp‑modelling plug-in Eleven Mark II, now thankfully including bass amp models. Smack! and the SSL-style Impact are both very usable compressors, though despite its vintage-inspired user interface, I've always found Smack! to lack a little in the character department.
Turning to Avid's 'in‑house' plug-ins, the Reel Tape Suite frankly shows its age when compared to current offerings from the likes of UAD and Softube. Their age also means that their processor load is likely to be very manageable on a modern computer. For example, many people, including me, still rely on the bundled Bomb Factory SansAmp plug-in, and I'm sure some of the others will prove equally enduring. More modern emulations of the same processors from third-party manufacturers are likely to be more accurate, but that doesn't mean these are unusable. The ex-Bomb Factory plug-ins, listed in the box, are nearly all emulations of classic studio hardware, and there's no getting away from the fact that, by plug-in standards, they are very long in the tooth.
Since Pro Tools 12.2, active subscribers have had access to the guitar stomp effects and the Avid Space convolution reverb for those with HD software, Eleven, Revibe II, Reverb One and the Pro Series plug-ins were already bundled. These are a mixture of Avid plug-ins which have been developed in house and the old Bomb Factory plug-ins which were acquired by Avid back in 2004. Many of these have been available to all-comers for a long time, but the new offer includes 33 plug-ins to which non-subscribers wouldn't already have had access. The Complete Plug-ins BundleĪvid describe the bundle as containing "more than 75" plug-ins. The fact that everyone with a current Ultimate subscription now has these plug-ins means that the library of what can be considered 'stock' plug-ins has grown substantially.
#Transfer plugins to avid offline editor software
The value of stock plug-ins is hard to overstate if you collaborate with other Pro Tools users, and for this reason, when Avid announced that with the release of Pro Tools 2018.4, all Ultimate users with an active subscription and customers on active Software Updates + Support Plans got the Avid Complete Plug-in Bundle, I saw a value over and above the contents of the bundle itself. In a previous article I was singing the praises of the stock seven-band EQIII, which I use in preference to 'better' plug-ins precisely because it is a stock plug-in and, as such, everyone who has Pro Tools has it. The ironic thing is that I use the search facility mostly to find one of the 10 plug-ins I use all the time but struggle to find manually because of the couple of hundred other plug-ins I have on my system that I hardly use! Even so, if an interesting new plug-in is announced I still manage to convince myself that I need it. Just click on an insert slot (or send, or I/O slot) and start typing and you'll receive up to 20 search results based on your search string. Of all the new features in Pro Tools 2018.7, the one that had the most impact on my day-to-day use of Pro Tools was the new plug-in search facility. If you're anything like me, you probably enjoy a strange relationship with the contents of your plug-in folder.
The latest Pro Tools release gives Ultimate subscribers a wealth of new plug-ins to enjoy.
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